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Claudia La Rocco: If we are to have magical bodies we must have magical minds
(2018, 18:40)




This is a somewhat condensed version of my contribution to the Heavy Breathing series, which I performed at the UC Berkeley Art Museum and Pacific Film Archive in 2017. It is a splice of my two practices, shuttling between very different or maybe very similar modes: my writing, and my teacher’s notes. Some of the writing is new and some of it is previously published; some of the notes are edited, and some are not.
Claudia La Rocco is the author of The Best Most Useless Dress (Badlands Unlimited), selected poetry, performance texts, images and criticism, and the novel petit cadeau, which was published by The Chocolate Factory Theater in print and live editions. She has received grants and residencies from such organizations as the Doris Duke Charitable Foundation, Creative Capital/Warhol Foundation, and Headlands Center for the Arts, and has bylines in numerous publications, including ARTFORUM, BOMB, and The New York Times, where she was an arts critic and reporter from 2005-2015. animals & giraffes, her duo with musician/composer Phillip Greenlief and an ongoing roster of collaborators, has released two albums: July (with various musicians; Edgetone Records, 2017) and Landlocked Beach (with Wobbly; Creative Sources, 2018). In February 2016 she became editor-in-chief of Open Space.






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Heavy Breathing ︎ 2018



Critical thinking often feels heady, abstract, and divorced from the body. How do conversations change when we are moving our bodies and out of breath? What new modes of thinking become possible?
Mark